Ghent
Groningen
Brussels
Amsterdam
The Hague
Almere
Amsterdam
Haarlem
Tilburg
Brussels
Rotterdam
Maastricht
In ACT, Kris Verdonck explores various aspects of the relation between the human on the verge of disappearing in the work of Samuel Beckett. ACT approaches Beckett in three ways: with a monologue with Beckett texts (Stories and texts for nothing), performed by Johan Leysen, with a scientist, invited to react to Beckett and with an autonomous scenography, a possible landscape for a Beckett text.
The variety and multidisciplinary approach reflect the complexity of Beckett’s work and are at the same time an attempt to literally take apart this complexity. The triptych of Science, theatre and high-tech show, as in three acts, each a different facet of the diamond ‘Beckett’. They deepen each other’s experience: a particular way of performing brings a scientific insight to life and vice versa, a performative scenography zooms in on the underlying world of or perhaps after the actor and offers a more contemplative experience.
Beckett and science
Beckett’s work on technology, memory, the inner voice and the absurdity and violence of a meaningless existence, is close to key topics in neuroscience, psychology and philosophy. He was well aware of the scientific developments of his time, and these were reflected in his texts as well. On the occasion of this performance , Kris Verdonck invites an expert to shine their light on Beckett’s oeuvre from their perspective. Memory specialist Douwe Draaisma, mathematician and philosopher Jean-Paul Van Bendegem, philosopher of technology Jos de Mul and digital culture expert Elize de Mul are among on our list. Possible subjects could be:
Beckett and memory: forgetting, remembering, the difficulty of language and of telling a story are returning elements. What would an important memory specialist like Douwe Draaisma have to say about this? For decades, Draaisma writes about the workings of human memory, in books like Why life speeds up when you get older, Metaphors of memory, Forgetting.
Beckett and neurology: various theatre texts and short prose pieces by Beckett present a figure living in the skull of the character. Is it our consciousness? Who or what is the voice speaking in our heads? Is there something like consciousness at all - and what would it be? The way Beckett objectifies the actor, is another occasion to invite a neurologist to reflect on the human as a machine. A machine that thinks? We will invite a renown neurosurgeon to delve deeper into these questions.
ACT was selected for Het TheaterFestival 2020.
From the jury’s report:
“In ACT Johan Leysen shapes one of Beckett's most elusive characters in an inimitable way. For an hour you hang on the lips of a man who gets hopelessly entangled in his attempt to define himself and the world around him. A moving portrait of Western human beings in search of sense and meaning.”
Director/Concept: Kris Verdonck
Dramaturgy: Kristof van Baarle
Performer: Johan Leysen
Technical coordination: Jan Van Gijsel
Costume design: Eefje Wijnings
Production: A Two Dogs Company / Het Zuidelijk Toneel
Coproduction: Kaaitheater
With the support of Tax Shelter scheme of the Belgian Federal Government, The Flemish Authorities, the Flemish Community Commission & Kask - School of Arts
Thanks to Dirk Van Hulle, Pim Verhulst and Jean Paul Van Bendegem
Developed with the support of KASK – School of Arts, within the research project 'Performing Absence' [2019–2022] by Kris Verdonck and Kristof van Baarle.